“We’re trying to do what’s best for the client and the design based on the budget.” “We’ve been recycling old sets and making modifications to try to get the job done,” says 41 Sets COO Rafael Loza. When it comes to lumber, that might mean going with some type of veneer or thin plywood instead of using luan, a more expensive option for set-building.Īnother way to slash bloated budgets is to repurpose previously used sets that still are in good condition. One approach involves using less expensive versions of materials that aren’t necessarily as high in quality but offer a similar enough look. Sources say that most productions aren’t simply defaulting to building fewer sets in an effort to save money, though they may look to do so in the near future.įor now, production teams have been looking at other ways of offsetting the inflated costs. “It really hit me because we’re building several sets from scratch, and the cost for materials are about fourfold,” he explains. Petok especially has felt the impact on a pilot he’s working on. “On the shows that I do, it’s gone from maybe $25,000 in total materials - $10,000 of that being lumber - to $45,000 or so,” he says. Michael Petok, an executive producer on Black-ish, Grown-ish and Mixed-ish, suggests that the percentage rise could even be higher, depending on the project. “We’re having to pay the premiums,” says one major studio’s top production exec. While most production executives say they’re mainly facing delays and have not yet reached the point where they’re unable to get their hands on materials, many acknowledge that the current estimates they’re receiving for key supplies are about 10 percent higher compared with even just a few months ago. Whereas workers would normally build the exteriors first and then build out the interiors, the construction team at the studio lot has had to do the opposite because of a delay in shipments of exterior materials. “Supply chain shortages caused us to alter the way we build our stages,” says Frank Patterson, president and CEO of Trilith Studios in Atlanta, home of Disney+’s WandaVision and The Falcon and the Winter Soldier. Rising prices are forcing producers and executives to change the way they do things. Musicians, Studios Reach Tentative Deal On Contract With Streaming Residuals, AI Gains And it’s not just lumber: Everything from steel to glass to paint has jumped in price in the past few months. Jeffery notes that a sheet of plywood was $20 or $30 in recent years but is now roughly three times as much. “In the last three months, the cost of materials have shot through the roof,” says Doug Jeffery, founder of 41 Sets, a boutique shop that has constructed sets for several commercials as well as Sony and CBS projects. The rising demand and sluggish supply of building materials is hampering the entertainment industry’s ability to build movie and TV sets within budget. economy at large, Hollywood is feeling the impact of it on its film and television production.
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